Over the last two months, I’ve participated at various literature festivals. It has much to do with that The Aadhaar Effect, a book I co-authored with NS Ramnath is now on the shelves. Having done the rounds, I feel compelled to conclude the few honest people that exist in the ecosystem are organizers (many of whom are volunteers) and the audiences who take much pain to get there.
Practically, every other creature at events such as these are either idiots or parasites. It was a thought that occurred last year when I moderated a panel discussion at the Bangalore Lit Fest. Following that, I exchanged notes with my former colleague and friend Manu Joseph. “Oftentimes, all a writer has to do is simply describe what he sees and the story tells itself," he told me. “It can be both amusing and insightful."
With the benefit of hindsight, I now know Manu was right. I don’t have much to do here except describe the various kinds of creatures I saw off stage, on stage, behind the stage, and describe them. This story will tell itself. Indeed. Manu was right. They are regulars at all lit fests, some traits bind them all, and most are idiots to boot.
They carry an impression of themselves—that they are created of a different mud as opposed to the “masses" who frequent cinema halls to watch Shah Rukh Khan serenade his love interests in the Bollywood version of Switzerland.
They also imagine themselves as more intelligent than everybody else because they are professional critics often employed at a media house. So, they think it incumbent to criticize everything.
These creatures get invited to events like these and are put up at plush places. They talk well, look good, and carry a certain demeanor. And, for all practical purposes, they “travel in a pack". But the serious critics are often ignored and work in mofussil places.
Funnier still is that, unlike the Shah Rukh Khan fan who will pay hard-earned money to watch a movie first day first show, this vocal minority pays nothing for anything. But their criticism is taken seriously. “The rooms at Cannes last week were so much more better than the crap ones here," for instance.
Take the media critic for instance. This creature is of two kinds—the uninformed and the idiot. The uninformed exists because it hasn’t done its homework and lucked out to get to where it is.
Idiots exist because they can scream from the rooftops. But they lack substance. That is the tragedy with both Indian liberals and those on the extreme right wing. Push them hard and they cannot defend their position beyond 500 words in print. But their decibel levels are high on television and are parasites to boot.
Idiots then pick and choose what can cause the most impact, craft it to suit their interests, and bomb the place with it. All else is ignored conveniently.
When questioned, they have a standard question to throw: who funds you?
But popular narratives are shaped by either the uninformed or the idiot.
To put that into perspective, from all forums that matter, I have stated that for all its flaws, to provide a unique identity to over a billion people is a staggering accomplishment. And to completely diss Aadhaar is stupid. But the so-called liberals don’t like this narrative.
At the Bangalore Lit Fest, when I said that in as many words, some media outlets and social media handles reported the next morning that I was heckled by a packed audience. This was in contrast to what I could see from stage. I thought I could see an audience keen to listen to different perspectives. Because, until then, the only narrative most people have been told is that Aadhaar is a dystopian idea and intended to hijack their lives.
But because local media reports had it that I was heckled, I thought I’d check with a few friends who were in the audience. They told me the only dissonant notes were by some angry voices in the front. Darned right I was. The larger audience wanted to listen in to the multiple perspectives. But if it got reported, it would hijack the contemporary narrative now controlled by a vocal minority.
Manu thought the audience was a receptive one as well. That is why my initial irritation gave way to much amusement when my colleague Ramnath reminded me of a quote by Oscar Wilde. “There is much to be said in favour of modern journalism. By giving us opinions of the uneducated, it keeps us in touch with the ignorance of the community."
This is not to suggest I have no biases. “Why," I argued in my head, “does Twinkle Khanna have to be at a lit fest? What is her claim to fame? Is it because she is pretty? What were the organizers thinking? Or smoking? And why is she always surrounded by people who want selfies with her?" I always maintained her book sold as many copies as it did because she is pretty and was a popular actor.
Another part of me confronted myself, though, and said that it is a terribly unfair thing to suggest. I haven’t read her book and arrived at a conclusion based on some assumptions—not the truth. I haven’t met her or made any attempt to meet her either. But later in the evening, over dinner, Manu told me that he has met her while on an assignment and thinks of her as an intelligent and beautiful woman.
But the media can shape popular narrative and informed opinions are hard to come by. To that extent, I suspect I am the kind of liberal who give liberals a bad name.
It was driven home harder still when I walked over to the table where Makarand Paranjape, was seated. He asked me my name. And then went on to tell me the historical significance of its origins and why I ought to be happy to possess it. When I told him I am not a practicing Catholic, he went on to offer me a brief treatise on the history of Catholicism and asked me some tough questions on why I gave up my faith. So much for all narratives of him being called a right winger. If he is on the right wing, give me a right winger like him any day, as opposed to a shallow liberal.
The other nugget that came my way is that there are “paid critics" who are “professional socialites". There is a reason they get invited to these dos. They have large followings on social medias platforms and columns as well in popular newspapers—usually tabloids or on Page 3. A tweet from them or a line insidiously implying a brand is a good one can get their accounts credited with as much as Rs.5 lakh. In much the same way, they can destroy a carefully crafted reputation as well with a single line. They must be humoured and kept in the good books.
The other joker who is a regular on the circuit, has answers to everybody’s questions, likes to publicly diss Ruskin Bond as an “old fart”, is a tall, lanky, light-eyed, idiot based out of Mumbai. He claims to be a Bombay-boy, has answers to everything visiting white folks at lit festivals are curious about. As for us “desi-boys”, we don’t cut ice with him. But yes, he lives a nice, “cheap" life of the kind I envy.
(A longer version of this piece was originally published in Mint last year)